奉贤河滨剧场位于江南水乡，稻田中央。奉贤新城希望把具有象征意义的水街绿廊重新带到了城市中心，给市民呈现出一种新江南景致，而设计通过把项目置于乡村田野的景观之中来唤起这种意向。
剧场仿佛从传统民居中生长出来，向散布在周围乡村迷人的传统建筑致敬。人们会联想起彼此相邻的房屋，聚集在剧院周围，同时剧院似乎也溶于这个建筑的聚落之中，体现出城市设计中“万家灯火”的意向。
总体的构图与功能和场地相协调，为该项目提供了一个非常人性化的尺度，邀请任何人进入。建筑避免了一种纪念性的尺度和自命不凡的形式，而凸显其公民性，通过谦逊的姿态体现出重要性和价值。
建筑屋顶或多或少让人联想到传统房屋，同时也是类似于剧场的幕帘。徐徐升起的幕帘，邀请市民来观赏戏剧演出。屋面材质与其说类似传统的屋瓦，不如更令人联想起幕布的纹理。
为了体现“一川烟雨”的主题，滨河景观的重要性在本项目中不言而喻，建筑被置于田野和滨水花园中央，宛若“蒹葭苍苍，在水一方”。建筑立面为通透的玻璃，外侧为典雅的木制格栅，像云雾一样过滤着光线，产生朦胧的美感。
Fengxian Theater was born in the fields, by the farmers. Today, Fengxian City wants to share these scenes with citizens. Symbolically, it is as if the field scenes were moved to the heart of the city. We propose to evoke this displacement by proposing a project established in the middle of a landscape which evokes the countryside and the fields.
This type of theater is the work of farmers who lived in charming little traditional houses spread around rural areas. The project pays homage to it. It evokes these small houses, gathered next by each other and around the theatre. Conversely, it is also as if the theater belongs to each of these houses. This composition of several houses responds at the same time to the urban concept: “1000 housings”.
This composition is in harmony with the program and the site. It gives the project a very human scale, which invites anyone to enter it. It is not repulsive with a monumental scale and a glaring and pretentious form, but it is aimed at all citizens. It gains its importance and value through its humility.
If the roofs evoke traditional houses, they also resemble theater curtains. They are open curtains to be a welcoming theater shared by all citizens. The streaks of the roofs are like the drapes of the curtains.
The urban theme “Misty-rain” is evoked by the importance of the landscape. The project is almost placed in the middle of the fields, with in particular a proposal for gardens with aquatic plants. A set of wooden screens positioned in front of the theater glazing partially filters the light, like a cloud.